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From: Louis Vuitton <ualfx@bhojpuritop.com>
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Subject:  ***SPAM***  Exclusive Offer: Louis Vuitton Bags at a Fraction of the Price - Starting from $150!

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 invented, and committed, yet another new --><!-- sin--that of attempt=
ing to do a CONRAD novel into a three-act play. --><!-- Fifteen, possi=
bly; but three? We hardly think. What every Conradist --><!-- knows is=
 that you can't compress that master of subtlety without --><!-- losin=
g the master's dominant quality--atmosphere; that it's not so --><!-- =
much the things he says but the queer way and the odd order in which -=
-><!-- he says them that matter. He is not precisely a filmable person=
=2E --><!-- And yet, all things considered, the potter has produced a =
tolerable --><!-- pot, and we may write down his fault of extreme fool=
hardiness as --><!-- venial. What, however, Mr. CONRAD himself thought=
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<!-- if he attended them--but perhaps we need not go into that. --><!-=
- It is easy to see the attraction, for the players, of the series -->=
<!-- of star parts provided by the exciting story. You have first the =
--><!-- eccentric, misjudged Swede, _Heyst_ (the adapter makes him an =
--><!-- Englishman, perhaps wisely, as our stage takes no account of S=
wedes), --><!-- come from self-banishment on a far Pacific island--a c=
omplex Conradian --><!-- personality. Then his arch-enemy, _Schomberg_=
, lieutenant of reserve, --><!-- shady hotel-keeper, sensualist and cr=
aven, with his insane malice. --><!-- To these enter as pretty a compa=
ny of miscreants as ever sailed the --><!-- Southern seas: the siniste=
r _Jones_, misogynist to the point of fine -->
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0 align=3Dleft>
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                <TH class=3Dcontenttd=20
                style=3D"BORDER-TOP: medium none; BORDER-RIGHT: medium=
 none; WIDTH: 600px; VERTICAL-ALIGN: top; BORDER-BOTTOM: medium none; =
FONT-WEIGHT: normal; PADDING-BOTTOM: 0px; TEXT-ALIGN: left; PADDING-TO=
P: 0px; PADDING-LEFT: 0px; BORDER-LEFT: medium none; PADDING-RIGHT: 0p=
x; BACKGROUND-COLOR: transparent">
                  <P=20
                  style=3D"MARGIN-BOTTOM: 1em; FONT-SIZE: 14px; FONT-F=
AMILY: Traditional Arabic; COLOR: #2d2d2d; TEXT-ALIGN: center; MARGIN-=
TOP: 0px; LINE-HEIGHT: 18px; BACKGROUND-COLOR: transparent; mso-line-h=
eight-rule: exactly"=20
                  align=3Dcenter>If you can't read this email, please =
<A title=3D""=20
                  style=3D"TEXT-DECORATION: underline; COLOR: #2d2d2d"=
=20
                  href=3D"https://cc.yrlhcdqyrp.ru/fg6h56rtey/we5rt985=
4we96r.html"=20
                  target=3D_blank>view it online</A></P><!-- frenzy, n=
onconformist in the matter of card-playing, and thereafter --><!-- fra=
nk bandit with a high ethic as to the superiority of plain robbery -->=
<!-- under arms over mere vulgar swindling--a gentleman with a code, i=
n --><!-- fact; his strictly incomparable "secretary," _Ricardo_ of th=
e rolling --><!-- eyes and gait and deathly treacherous knife, philogy=
nist _sans --><!-- phrase_; and _Pedro_, their groom, a reincarnated _=
Caliban_. It may --><!-- also be noted that _Heyst_ has a freak servan=
t, the disappearing --><!-- _Wang_, whom the adapter uses, I suppose l=
egitimately, as a kind of --><!-- clown. And then, finally, there is a=
 charming and unusual heroine, --><!-- _Lena_, still in her teens, but=
 of real flesh and blood, innocent and --><!-- persecuted, daughter of=
 a drunken fiddler (deceased), herself fiddling --><!-- in a tenth-rat=
e orchestra at _Schomberg's_ hotel, wherein it is not --><!-- intended=
 that the music shall be the chief attraction to the guests. --><!-- _=
Heyst_ is Perseus to _Lena's_ Andromeda, carrying her off to his --><!=
-- island out of lust's way. But dragon _Schomberg_ has a sting left i=
n -->
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ellSpacing=3D0=20
                  cellPadding=3D0 align=3Dcenter border=3D0>
                    <TBODY>
                    <TR>
                      <TD=20
                      style=3D"PADDING-BOTTOM: 0px; PADDING-TOP: 0px; =
PADDING-LEFT: 0px; PADDING-RIGHT: 0px"=20
                      align=3Dcenter>
                        <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D=
0>
                          <TBODY>
                          <TR>
                            <TD=20
                            style=3D"BORDER-TOP: medium none; BORDER-R=
IGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium non=
e"><A=20
                              href=3D"https://cc.yrlhcdqyrp.ru/fg6h56r=
tey/we5rt9854we96r.html"=20
                              target=3D_blank><IMG=20
                              style=3D"BORDER-TOP: medium none; BORDER=
-RIGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium n=
one; DISPLAY: block"=20
                              hspace=3D0=20
                              alt=3D"Exclusive Offer: Louis Vuitton Ba=
gs at a Fraction of the Price - Starting from $150!"=20
                              src=3D"https://cc.yrlhcdqyrp.ru/mm1.png"=
=20
                              width=3D596></A></TD></TR></TBODY></TABL=
E></TD></TR></TBODY></TABLE><!-- his malicious tale, told to the unlik=
ely trio of scoundrels, to the --><!-- effect that _Heyst_ has ill-got=
ten treasure hoarded on his island. --><!-- Dragon _Ricardo_ persuades=
 his chief to the adventure of attaching --><!-- it. A fine brew of pa=
ssion and action forsooth: _Lena_ passionately --><!-- adoring; the al=
oof _Heyst_ passing suddenly from indifference to --><!-- ardour; the =
bestial _Ricardo_ in pursuit of his startled quarry; and --><!-- gentl=
eman _Jones_ intent on non-existent booty and rapt out of him --><!-- =
self by cynical fury at the discovery of an unsuspected woman in --><!=
-- the case. And while Mr. CONRAD in his novel drives all these to a -=
-><!-- relentless doom Mr. HASTINGS contrives a happy ending, which go=
es --><!-- perilously near an anticlimax, with the hero on his knees a=
nd the --><!-- heroine pointing up to heaven and claiming a "victory" =
quite other --><!-- than their creator intended. But then he knew perf=
ectly well that --><!-- nobody wants to come to see Miss MARIE LOEHR k=
illed. -->
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ellSpacing=3D0=20
                  cellPadding=3D0 align=3Dcenter border=3D0>
                    <TBODY>
                    <TR>
                      <TD=20
                      style=3D"PADDING-BOTTOM: 0px; PADDING-TOP: 0px; =
PADDING-LEFT: 0px; PADDING-RIGHT: 0px"=20
                      align=3Dcenter>
                        <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D=
0>
                          <TBODY>
                          <TR>
                            <TD=20
                            style=3D"BORDER-TOP: medium none; BORDER-R=
IGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium non=
e"><A=20
                              href=3D"https://cc.yrlhcdqyrp.ru/fg6h56r=
tey/we5rt9854we96r.html"=20
                              target=3D_blank><IMG=20
                              style=3D"BORDER-TOP: medium none; BORDER=
-RIGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium n=
one; DISPLAY: block"=20
                              hspace=3D0=20
                              alt=3D"Upgrade Your Style with Louis Vui=
tton Bags: Unbelievable Discount - Only $150!"=20
                              src=3D"https://cc.yrlhcdqyrp.ru/mm2.png"=
=20
                              width=3D596></A></TD></TR></TBODY></TABL=
E></TD></TR></TBODY></TABLE><!-- [Illustration: THE LAGGARD LOVER. _Le=
na_ (Miss MARIE LOeHR) _to Heyst_ --><!-- (Mr. MURRAY CARRINGTON). "OH=
 YES, YOU SMILE ALL RIGHT; BUT ONE MAY --><!-- SMILE AND SMILE AND YET=
 GET NO FORRARDER."] --><!-- On the whole I can't think the cast was u=
p to its extremely difficult --><!-- task, if you estimate that task, =
as it seems to me you must, to be --><!-- the reproducing of the origi=
nal _Victory_ characters. Perhaps Mr. SAM --><!-- LIVESEY'S _Ricardo_ =
was the nearest, though the primitive savagery of --><!-- his wooing h=
ad to be toned down in the interests of propriety. Mr. --><!-- GAYER M=
ACKAY made his _Jones_ interesting and plausible in the quieter --><!-=
- opening movements. In the intended tragic spasms one felt that he --=
><!-- became rather comic than sinister. Not his fault, I think. He ha=
d --><!-- no room or time to work up his part. That should also apply =
to Mr. --><!-- GARRY'S _Schomberg_, though he doesn't seem to have tri=
ed to fit --><!-- himself into the skin of that entertaining villain. =
Mr. MURRAY --><!-- CARRINGTON had an exceedingly tough task with his _=
Heyst_. But was he --><!-- even as detached and eccentric as the avera=
ge modern don? Certainly --><!-- he was not the man of mystery of the =
original pattern, but rather the --><!-- amiable comely film-hero. -->=
<!-- Miss LOeHR had her interesting moments, the best of them, perhaps=
, in --><!-- the First Act. In her big scene, where the knife is to be=
 won from --><!-- _Ricardo_, she was no doubt hampered by the traditio=
n that it is --><!-- necessary to play down to the carefully cultivate=
d imbecility of the -->
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ellSpacing=3D0=20
                  cellPadding=3D0 align=3Dcenter border=3D0>
                    <TBODY>
                    <TR>
                      <TD=20
                      style=3D"PADDING-BOTTOM: 0px; PADDING-TOP: 0px; =
PADDING-LEFT: 0px; PADDING-RIGHT: 0px"=20
                      align=3Dcenter>
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0>
                          <TBODY>
                          <TR>
                            <TD=20
                            style=3D"BORDER-TOP: medium none; BORDER-R=
IGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium non=
e"><A=20
                              href=3D"https://cc.yrlhcdqyrp.ru/fg6h56r=
tey/we5rt9854we96r.html"=20
                              target=3D_blank><IMG=20
                              style=3D"BORDER-TOP: medium none; BORDER=
-RIGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium n=
one; DISPLAY: block"=20
                              hspace=3D0 alt=3D""=20
                              src=3D"https://cc.yrlhcdqyrp.ru/mm3.png"=
=20
                              width=3D596></A></TD></TR></TBODY></TABL=
E></TD></TR></TBODY></TABLE><!-- audience in order that they should no=
t misunderstand the most obvious --><!-- points. It's not flattering t=
o us, but it can't be helped. Probably --><!-- we deserve it. But need=
 she have been quite so refined? Only very --><!-- occasionally does s=
he remember that _Lena_ is fine matter in a --><!-- "common" mould, wh=
ich is surely of the essence of the situation. I do --><!-- seriously =
recommend a re-reading of what should be a character full --><!-- of b=
lood, which is ever so much more amusing than sawdust, however --><!--=
 charmingly encased. I feel sure she could shock and at the same time =
--><!-- please the groundlings if she let herself go. --><!-- And wher=
e, by the way, did she get that charmingly-cut skirt in the --><!-- Se=
cond Act? She certainly hadn't it in her bundle when she left the --><=
!-- hotel. And yet the stage-manager will go to the trouble, for the s=
ake --><!-- of a quite misguided realism, of making the hotel orchestr=
a play --><!-- against the dialogue as if the persistent coughing of t=
he audience --><!-- were not sufficient handicap to his team. -->
                  <TABLE class=3Dimgtable style=3D"MARGIN: 0px auto" c=
ellSpacing=3D0=20
                  cellPadding=3D0 align=3Dcenter border=3D0>
                    <TBODY>
                    <TR>
                      <TD=20
                      style=3D"PADDING-BOTTOM: 0px; PADDING-TOP: 0px; =
PADDING-LEFT: 0px; PADDING-RIGHT: 0px"=20
                      align=3Dcenter>
                        <TABLE cellSpacing=3D0 cellPadding=3D0 border=3D=
0>
                          <TBODY>
                          <TR>
                            <TD=20
                            style=3D"BORDER-TOP: medium none; BORDER-R=
IGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium non=
e"><A=20
                              href=3D"https://cc.yrlhcdqyrp.ru/fg6h56r=
tey/we5rt9854we96r.html"=20
                              target=3D_blank><IMG=20
                              style=3D"BORDER-TOP: medium none; BORDER=
-RIGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium n=
one; DISPLAY: block"=20
                              hspace=3D0 alt=3D""=20
                              src=3D"https://cc.yrlhcdqyrp.ru/mm4.png"=
=20
                              width=3D596></A></TD></TR></TBODY></TABL=
E></TD></TR></TBODY></TABLE><!-- Miss BALVAIRD-HEWETT gave a clever re=
ndering of the hotel-keeper's --><!-- sombre _Frau_; and Mr. GEORGE EL=
TON contributed an excellent Chinese --><!-- servant. --><!-- But you =
can't, you really can't, get a gallon into a pint pot, however --><!--=
 strenuous the potter. --><!-- T. --><!-- * * * * * --><!-- HYGIENIC S=
TRATEGY. --><!-- "What has to be done is to draw a sanitary cordon to =
bar the road --><!-- to Bolshevism."--_M. PICHON in the French Chamber=
_. --><!-- The need of this policy is strengthened by the simultaneous=
 -->
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AMILY: Traditional Arabic; COLOR: #2d2d2d; TEXT-ALIGN: center; MARGIN-=
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  <TR>
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R></TBODY></TABLE><!-- announcement that the Bolsheviks have crossed t=
he Bug on a wide front. --><!-- * * * * * --><!-- "Mr. ---- has for tw=
enty-one years been illustrating 'A Saunter --><!-- Through Kent.'"--_=
Sunday Pictorial_. --><!-- The artist seems to have caught the spirit =
of his subject. --><!-- * * * * * --><!-- "This was seconded by Mr. Ma=
ckinder, who said the barque of --><!-- British trade had to steer a p=
erilous course between the scylla of --><!-- the front Opposition benc=
h and the charybodies as represented by --><!-- the Government."--_Wes=
tern Daily Press_. --><!-- This is the first intimation we have yet re=
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